Have you ever felt that there were two of you battling for control of the person you call yourself? Have you ever felt that you weren’t quite sure which one you wanted to be in charge? All of us have at least two selves: one who wants to work hard, get good grades, and be successful; and one who would rather lie in the sun and listen to music and daydream. To understand F. Scott Fitzgerald, the man and the writer, you must begin with the idea of doubleness, or twoness.
Fitzgerald himself said in a famous series of essays called The Crack Up, “the test of a first-rate intelligence is the ability to hold two opposed deas in the mind at the same time, and still retain the ability to function. ” Everything about Fitzgerald is touched by this idea. For example, he both loved and hated money. He was attracted to the life of the very rich as an outsider who had very little, and at the same time he hated the falseness and hypocrisy and cruelty of their lives.
He was disciplined, knowing that he had to have great mental and physical self-control to succeed as a writer, but he was often unable to exercise those very qualities he knew he would need in order to succeed. He loved his wife Zelda more than anything in is life, and yet he hated her for destroying his talent. Part of him lived a dazzling life full of parties, gaiety, and show; and part of him knew that this sort of life was a complete sham. All of this doubleness Fitzgerald puts into the novel you are about to read: The Great Gatsby.
As you begin reading think about Nick Carraway, the narrator of the novel, and Jay Gatsby, the hero of the novel, as the two sides of Fitzgerald. Think of Fitzgerald as putting into his two main characters both of the people that he knew he had within him. As you read, ask yourself whether or not you have these two people within you: Nick, he intelligent and disciplined observer; and Gatsby, the passionate and idealistic dreamer who wants his dream so much that he will sacrifice everything for it. Fitzgerald himself seemed genetically destined for doubleness.
His mother’s father, P. F. McQuillan, went to St. Paul, Minnesota, in 1857, at the age of twenty-three. In twenty years he built up–literally from nothing–an enormously successful wholesale business. He was a totally self-made man, and from him Scott inherited a sense of self-reliance and a belief in hard work. The Fitzgeralds, on the other hand, were an old Maryland family. Scott imself–Francis Scott Key Fitzgerald was his full name–was named for his great, great, great grandfather’s brother, the man who wrote “The Star Spangled Banner. ” And Edward Fitzgerald, Scott’s father, was a handsome, charming man, but one who seemed more interested in the family name than in hard work.
The McQuillan and the Fitzgerald in Scott vied for control throughout his childhood. He was a precocious child, full of energy and imagination, but he liked to take short cuts, substituting flights of fantasy for hard work. On his seventh birthday in 1903 he told a number of the older guests that he was the wner of a yacht (perhaps the seeds of Gatsby’s admiration for Dan Cody’s yacht in the novel). As an adolescent he loved to play theatrical games–pretending to be drunk on a streetcar or telephoning an artificial limb company to discuss being fitted for a false limb.
He was an excellent writer and a vivid satirist of his classmates, but his marks were not good; so, like so many Midwestern boys, he was shipped East to boarding school, where he would be taught discipline and hard work. In September of 1911, with the words and music of Irving Berlin’s new song “Alexander’s Ragtime Band” uppermost on his ind, he enrolled at the Newman School in Hackensack, New Jersey, a popular Roman Catholic school among Midwestern families. Here he was to have two years to ready himself for a good Ivy League College, preferably Princeton or Yale.
Scott chose Princeton, but Princeton very nearly didn’t choose him. The doubleness in Scott is beautifully illustrated by the way in which he maneuvered himself into Princeton. An avid writer and reader, Fitzgerald tended to read what he liked and ignore his school work, and therefore he failed his entrance exams during his senior year. After a “summer of study,” he took them gain and failed them again. Finally on September 24, 1913, his seventeenth birthday, he appeared before the Admissions Committee and convinced them to accept him. Personal magnetism was able to achieve what hard work had not.
One of the things Scott inherited from his Grandfather McQuillan was ambition. Scott was a fierce competitor, and if he wanted something badly enough he could work like a demon. What Scott wanted were women and popularity, and the way to win women and be popular, he had learned at Newman, was with money, good looks, and athletics. He didn’t have the first, but he had the second, and he worked very, ery hard at the third by trying out for freshman football. His problem was that he was only 5′ 6″ and weighed only 130 pounds, which doesn’t get one very far in football.
So he scrapped the football pads and found another outlet for his energy and his ambition: writing musical comedies. One of the most prestigious organizations at Princeton was and still is the Triangle Club, a group that writes and produces a musical comedy every year. (Among its graduates are the actors Jimmy Stewart and Jose Ferrer. ) Fitzgerald devoted most of his energies at Princeton to the Triangle Show, writing the book and lyrics in his reshman year and the lyrics in his sophomore year. He was elected secretary of the club, and was in line to become its president–something he wanted more than anything in his life.
But it was not to be. In December of 1915, the fall of his junior year, he was sent home with malaria. He was told when he returned in March that he would have to fall back a year and that he was academically ineligible for the Triangle presidency. In the spring of 1917 his class graduated, and Scott was left behind to complete his senior year. He never did; instead, he enlisted in the army. Why? Perhaps because he wanted to be a hero, nd the United States was about to make the world safe for democracy. Perhaps because college was no fun anymore. Perhaps because beautiful women love young men in uniform.
Whatever the reason, Fitzgerald left Princeton in November and found himself in the summer of 1918 stationed at Camp Sheridan, outside Montgomery, Alabama. Here 2nd Lieutenant Scott Fitzgerald met Miss Zelda Sayre, who was to become his wife and the single most important influence on his life. Zelda was seventeen, and a combination of tomboy and Southern belle. She was used to having her own way with her traditional parents, and she very much njoyed being courted by the officers from Camp Sheridan, just as Daisy in The Great Gatsby is courted by the young officers at Camp Taylor.
It was love at first sight. Just as Jay Gatsby, an outsider with no money and no respectable family, falls utterly in love with Daisy Fay, so the Midwestern outsider Scott Fitzgerald fell head over heels in love with the Montgomery belle Zelda Sayre. He loved her beauty, her daring, her originality. He loved her crazy, romantic streak which matched his own. He proposed to her, and she turned him down. Like Jay Gatsby, he was too young and he had no money, and she could not be sure he ould ever amount to anything. So he went off to war but, unlike Gatsby, he never got to Europe.
By the time his regiment had been sent overseas, the Armistice had been signed and his dreams of military glory had to be set aside with the football pads and the presidency of the Triangle Club. But Scott was determined to be famous, and in March of 1919–this time like Nick Carraway–he went to New York to learn his trade. Scott’s trade was writing and he had written, during his long, lonely months in the army, a novel about life at boarding school and at Princeton. But no one would publish it and Zelda, who had inally promised to marry him, changed her mind.
In what he called his “long summer of despair,” he went home to St. Paul, rewrote his novel, and submitted it to Charles Scribner’s Sons. Maxwell Perkins, a young editor who was to become Fitzgerald’s friend and supporter for life, accepted the book. In March of 1920, Scott Fitzgerald’s first novel, This Side of Paradise, was published. This Side of Paradise made Fitzgerald famous. It also made Zelda change her mind again. On April 3, 1920, in the Rectory of St. Patrick’s Cathedral in New York City, they were married.
Within two years they became the ost notorious young couple in America, symbolizing what Fitzgerald called The Jazz Age. The Jazz Age began, Fitzgerald tells us in his short story, “May Day,” in May of 1918. It ended with the stock market crash of 1929. The Jazz Age brought about one of the most rapid and pervasive changes in manners and morals the world has ever seen, changes that we are still wrestling with today. It was a period when the younger generation–men and women alike–were rebelling against the values and customs of their parents and grandparents.
After all, the older generation had led thousands of young men into the most rutal and senseless war in human history. People of Fitzgerald’s age had seen death, and when they came back, they were determined to have a good time. “How you gonna keep ’em down on the farm, now that they’ve seen Paree” was one of the most popular songs of the day. And have a good time they did. The saxophone replaced the violin; skirt hemlines went up; corsets came off; women started smoking; and Prohibition, which was supposed to stop drinking, only reshaped it into secret fun.
The public saloon, now illegal, was replaced by the private cocktail party, and men and women began drinking together. Parties like the ones given by Gatsby began to thrive, and hoodlums became millionaires in a few months by controlling the bootleg liquor business. Scott and Zelda not only chronicled the age, they lived it. They rode down Fifth Avenue on the tops of taxis; they dove into the fountain in front of New York’s famous Plaza Hotel. Scott fought with waiters, and Zelda danced on tabletops.
They drank too much and passed out in corners; they drove recklessly and gave weekend parties, which were not too different from the ones Gatsby gives in the novel and which lasted until the small hours of Monday morning. In the midst of all this, Fitzgerald tried to write. Part of him believed in work and tried repeatedly to discipline himself, to go “on the wagon,” to give up parties. Many years later in a beautiful letter to his daughter Scottie, he talked about the tension of those years: “When I was your age I lived with a great dream.
The dream grew and I learned to speak of it and make people listen. Then the dream divided one day when I decided to marry your mother… I was a man divided–she wanted me to work too much for her and not enough for my dream. ” The dream, of course, was his dream of being a great writer. This Side of Paradise had made him famous because it was the first novel that honestly described the life-style of the new generation, but his work during the first three years of his marriage was not nearly what he knew it could have been, and so in 1923 he set out to write a book that he could be proud of.
In July 1923, Zelda wrote a friend: “Scott has started a new novel and retired into strict seclusion and celibacy. ” The new novel of course was The Great Gatsby, and the ten months he devoted to that novel was artistically the most disciplined ten months of his life. The ovel was published in the spring of 1925. Though sales were disappointing, the criticism was very positive. Great writers like the novelist Edith Wharton and the poet T. S. Eliot wrote Fitzgerald letters of congratulations. And Gertrude Stein, who called Fitzgerald and Ernest Hemingway members of a “lost generation,” gave great praise to the book.
Hemingway himself, a new friend of Fitzgerald’s in 1925, loved The Great Gatsby. Fitzgerald was never again to reach the success of Gatsby. Until 1925 the Nick Carraway in him had sustained him enough to keep him writing well, but just as Gatsby’s love for Daisy drove im to tragedy, so Fitzgerald’s love for Zelda occupied more and more of his time. To maintain the social style she loved, he wrote stories for the popular magazines of the time, like Cosmopolitan, Smart Set, and the Saturday Evening Post.
Maintaining a dizzying social life, Scott, Zelda, and their daughter Scottie moved from New York City to Great Neck, Long Island (the model for West Egg in Gatsby), eventually on to Paris and the Riviera, and finally back to the United States. He could not finish another novel, and he could not make Zelda happy. She became more and more depressed, and finally in April 1930, Zelda had complete breakdown and had to be hospitalized. The great stock market crash of 1929 had ended America’s decade of prosperity, and Zelda’s breakdown in 1930 ended the Fitzgerald’s decade as the symbol of The Jazz Age.
The party was over. From 1930 until his death in Hollywood in 1940, Scott struggled to regain the stature he had earned with The Great Gatsby, but he never could. He wrote Tender is the Night, which is a beautiful novel, during the early ’30s, but when the book was published in 1934, America was not interested in a story about rich Americans partying on the French Riviera. This was the Depression, and the novelists in demand were Sherwood Anderson and John Steinbeck, writers who talked about the plight of poor people.
Scott continued to care for Zelda, who was to spend the rest of her life in and out of sanitariums. He also kept writing. But during 1935 and 1936 he had his own breakdown, which he recorded brilliantly in the series of essays for Esquire called “The Crack Up. ” Desperate for money, he took a job as a script writer for M-G-M in 1937, where he worked on and off for the next two years. With the support of his friend the columnist Sheilah Graham, in 1939 he began a new novel. Called The Last Tycoon, this book was based on the career of the legendary Hollywood producer Irving Thalberg, whom Fitzgerald greatly admired.
But Fitzgerald’s years of dissipation caught up with him, and he died of a heart attack on December 21, 1940. Even unfinished, The Last Tycoon is a fine novel, almost as good as Gatsby. But for a long time the world didn’t know that. At the time of his death all of Fitzgerald’s books were out of print. Scott who? Oh, that guy that used to write about the ’20s. Well, he was much more than that, and during the 1950s and 1960s people started reading Scott Fitzgerald again. Today he is considered one of America’s great novelists.
The Great Gatsby, along with The Scarlet Letter and Huckleberry Finn, has become a book we can’t do without if we want to understand ourselves. Fitzgerald asks us to read this book with that same double vision with which he wrote it. He asks us to participate emotionally in the lives of its characters, especially Gatsby. And he asks us to stand back from them as Nick does and see what is wrong with them. He asks us to love and to evaluate at the same time, perhaps in the say way that Nick both loves and criticizes Gatsby.
