In Shakespeares play Othello, Iago is the antagonist. That is, he is the villain in the play Othello. He is the person who causes an action to occur which affects the other characters in the play. This action may not necessarily be a good thing. Iago is the catalyst for Othellos change. He is the reason behind Othellos changing views of his wife Desdemona, which results in the deaths of many of the characters in this tragedy. In order to understand the role Iago plays in destroying Othello, it is important to understand how Iago uses other characters in Othello to set his devious plot into motion.
Iago successfully manipulates the characters involved to further his evil plans. He does this in such a way that the majority of the characters perceptions of each other change dramatically. Thus leading to Othellos transformation and Othellos changing views and behaviour towards his beloved wife Desdemona. Iago firstly uses Roderigo, a Venetian gentleman, in love with Desdemona and then Cassio in the process of annihilating Othello. Cassio is Othellos Lieutenant. Other characters Iago exploit include his own wife Emilia and Desdemona herself. Iago goes to a lot of trouble to conquer Othello.
When Iagos interaction with the other characters is understood then it can be perfectly recognised, acknowledged and understood how Iago causes Othellos perceptions of Desdemona to change so drastically and quickly. Roderigo is the first fall under Iagos spell of manipulation. Roderigo is convinced that Iago is genuine and does everything Iago tells him to. Iago easily convinces Roderigo to tell Desdemonas father, Brabantio, of Desdemonas elopement with a moor. Iago and Roderigo tell Brabantio of Othellos marriage to Desdemona who rushes over to Othello to unsuccessfully reclaim his daughter. An old black ram Is tupping your white ewe.
Act 1, Scene 1, Line 90). Brabantios perceptions of both his daughter and Othello have changed. Later on Iago uses Desdemonas deceit towards her father as a way of changing Othellos perception of Desdemona. He repeats the words Brabantio used She has deceived her father and may thee. (Act 1, Scene 3, Line 289). Through this quote Iago tries to convince Othello that Desdemona has or could commit adultery seeing though she has already deceived her father in marrying Othello. This is one of the very first things that start Othellos downfall. Iago is skilfully eeding Othello with lies in which Othello will eventually believe in.
Iago handles Cassio in a more slightly delicate way. Iagos basic plot is to make Othello believe Desdemona is having an affair with Desdemona. Cassios a proper man: let me see now; To get his place and to plume up my will In double knavery. How? How? Lets see. After some time, to abuse Othellos ears That he is too familiar with his wife (Act 1, Scene 3, Line 374-378). This quote explains how Iago pretends to be Cassios best friend, giving him advice when Othello dismisses him from his office. In actual fact, it was Iago who lanned this misfortune and uses it for his own benefit.
For whiles this honest fool Plies Desdemona to repair his fortunes, And she for him pleads strongly to the Moor, Ill pour pestilence into his ear: That she repeals him for her bodys lust; And by how much she strives to do him good, She shall undo her credit with the Moor. So I will turn her virtue into pitch, And out of her own goodness make the net That shall enmesh them all. (Act 2, Scene 3, Line 320-329). In this part of Iagos soliloquy, Iago explains how he has given advice to Cassio to go to Desdemona and ask her to plead his case to Othello so that he will regain his position as Othellos lieutenant as possible.
Now as Desdemona speaks about Cassio to Othello, Iago will be continually telling Othello lies of Desdemonas infidelity with Cassio. This is the next step Iago takes to further his plan. He makes it appear as though Cassio and Desdemona are involved together, having an affair. Othello does not believe Iago. I do not think but Desdemonas honest. (Act 3, Scene 3, Line 228). He tells Iago that he is not a jealous man. Othello confidently says that Desdemona is faithful to him and he will not doubt her without any proof. Nonetheless, a tiny seed of doubt has been sowed into Othellos head. Iagos plan is working.
Othello is beginning to feel the effects of jealousy and tries to stop the jealous thoughts, which is evident in the following quote. No, Iago, Ill see before I doubt; when I doubt, prove; And on the proof, there is no more but this: Away at once with love or jealousy! (Act 3, Scene 3, Line 192-194). Iago will continue to feed many lies of Desdemonas fidelity into Othellos head until it results in Othellos destruction along with many others. As Iago continues to inform Othello of Desdemona and Cassios supposed eetings, Othello begins to believe Iagos stories and his jealous nature is shown.
Iagos next plan of action involves the beloved handkerchief, which was presented to Desdemona as one of Othellos first gifts to her in their days of wooing. This is a key feature in Othellos changing perceptions of Desdemona. I will in Cassios lodging lose this napkin And let him find it. Trifles light as air Are to the jealous confirmations strong As proofs of holy writ. This may do something. The Moor already changes with my poison (Act 3, Scene 3, Line 322-326). Here Iago tells of how wife Emilia has picked up the ost handkerchief and given it to Iago who has continually asked her to steal it from Desdemona.
With this handkerchief, Iago sets up Cassio. Iago plans to place the handkerchief so that Cassio finds it and then tell Othello Desdemona has given the handkerchief to Cassio as a sign of her affection and love for him. Othello becomes enraged, overcome with grief and jealousy and vows revenge just as Iago had predicted. Iago has noticed the change in Othello and knows that it would not take much to push him over the edge. Damn her, lewd minx! O, damn her, damn her! (Act 3, Scene 4, Line 476). This is the reaction Iago wants from Othello. It shows how Othellos perceptions of Desdemona have changed.
Through his sly and cunning ways Iago has dominated over Othello, has influenced him in such a dangerous way that now Desdemonas and Cassios lives are in insecure. Othello has changed immensely and his treatment towards Desdemona at this point in the storyline has notably changed. He tries to trick Desdemona into admitting her crime by asking about the handkerchief. The handkerchief is not produced and so Othello believes in more of what Iago has told him. Othello peaks to Desdemona using words with ambiguous meanings. While he is implying one thing, Desdemona thinks he is talking about something else.
This argues fruitfulness and liberal heart. Hot, hot, and moist. (Act 3, Scene 4, Line 34-35). Desdemona does not think much of his words. What is said is what she believes it to mean. Othello however, is referring to her adulterous, lecherous nature. Othello speaks harshly to Desdemona as he questions the whereabouts of the special handkerchief. This treatment of Desdemona shows Othellos jealous nature, which Emilia points out to Desdemona. Othellos destruction is near, s he becomes more and more jealous with each remark Iago makes. Lie with her? Lie on her?
We say lie on her when they belie her. Lie with her! Zounds, thats fulsome! Handkerchief confessions handkerchief! To confess and be hanged for his labour. First to be hanged and then to confess. I tremble at it. Nature would not invest herself in such shadowing passion without some instruction. It is words that shakes me thus. Pish! Noses, ears, and lips. Ist possible? Confess? Handkerchief? Oh devil! (Act 4, Scene 1, Line 35-41). In this little speech made by Othello, it can be clearly seen how Iago as manipulated Othello into believing his words.
Iago has implied that Cassio has boast of sleeping with Desdemona, which has upset Othello terribly. Iago gives Othello more proof of Desdemona and Cassios commitment to each other, which enables Othello to become even more infuriated than he already is. Here Iago speaks with Cassio of Bianca, Cassios mistress: Now will I question Cassio of Bianca, a housewife that by selling her desires Buys herself bread and clothes. It is a creature that dotes on Cassio; as tis the strumpets plague To beguile many and be beguiled by one. He when he hears of her, cannot refrain From excess laughter. Here he comes.
As he smile, Othello shall go mad; And his unbookish jealousy must construe Poor Cassios smiles, gestures and light behaviours Quite in the wrong. (Act 4, Scene 1, Line 91-101). Iago explains his plan in his soliloquy, which is to have Othello listen in on his conversation with Cassio in hopes that what Othello believes he hears and sees, will further destroy Othellos and Desdemonas relationship. Othello believes Iago is talking to Cassio about Desdemona and take everything the wrong way. He is horrified of how Cassio is behaving whilst talking with Iago. Othello is determined to kill Desdemona after what has witnessed.
Get me some poison, Iago, this night. Ill not expostulate with her, lest her body and beauty unprovide my mind again this night, Iago. (Act 4, Scene 1, Line 92-94). Othello has changed as a result of Iagos wicked ways. He has changed to such an extent that he can no longer live with this woman of unmoral behaviours and pledges to assassinate her. Iagos role in changing Othellos observations of Desdemona can be seen even more clearly when Othello strikes Desdemona. Lodovico, an outsider, sees a distinct change in Othello and comments to Iago on this who agrees wholeheartedly.
Is this the noble Moor whom our full senate Call all-in-all sufficient? Is this the nature Whom passion could not shake? Whose solid virtue The shot of accident nor dart of chance Could neither graze nor pierce? He is much changed. (Act 4, Scene 1, Line 254-259). This quote shows Lodovicos shock towards the change in Othello especially towards Desdemona whom Othello once loved so dearly. Desdemona being the submissive person that she is does nothing to defend herself. She takes everything Othello hrows her way. Desdemona loves Othello even after the way he has mistreated her. Her love for him will not change.
Let nobody blame him; his scorn I approve (Act 4, Scene 3. Line 49). This line comes from a song Desdemona sings but it represents Desdemonas feelings towards Othello perfectly. She wont blame him for the way he treats her. Even on her death bed Desdemona does not blame Othello for anything. In answer to Emilias question as to who killed her, Desdemona replies, Nobody; I myself. Farewell. Commend me to my kind lord. O farewell. (Act 5, Scene 2, Line 125-126). Othellos view of Desdemona may have changed due to the presence of an evil force, that being Iago, but Desdemona still loves her husband and claims she was true to him.
Othellos view of Desdemona, due to Iagos meddling interference has changed drastically into a perception, which is extremely far from the truth. Othello now believes Desdemona is a strumpet, in other words, a prostitute, a whore. He also believes Emilia is one too and that Emilia is protecting Desdemona and so he speaks to both as though they were that type of women. Was this fair paper, this most goodly book, Made to write whore upon? What committed! Committed? O thou public commoner! I should make very forges of my cheeks That would to cinders burn up modesty Did I but speak thy deeds.
What committed! Heavens stop the nose at it, and the moon winks; The bawdy wind, that kisses all it meets, Is hushed within the hollow mine of earth And will not hear it. What committed? Imprudent strumpet! (Act 4, Scene 2, Line 70-79). Here Othello calls Desdemona a whore to her face. He continually reinforces his belief that Desdemona is unfaithful. His words are spoken in an aggressive harsh tone, which shows how angry he is, and how much he has changed because of Iagos vil-minded ways. Later that night, Othello questions Desdemona again of her adultery and Desdemona fears for her life.
And yet I fear you, for youre fatal then When your eyes roll so. Why I should not fear I know not. Since guiltiness I know not, but yet I feel fear. (Act 5, Scene 2, Line 37-39). Desdemona reveals her fear of Othello and informs that she is guilty of nothing. Othello does not believe her and kills her. This is what has become of Othello. His mind has been clouded by bad judgement due to Iagos corrupt plans. Othellos mind was contaminated by Iago whose aim was to destroy Othello along ith Cassio. Othellos perception of Desdemona changed numerous times throughout.
In the beginning Othello loved Desdemona with all his heart and would not let anyone take his love from him, including Brabantio, Desdemonas father. She wished she had not heard it, yet she wished That heaven had made her such a man. She thanked me, And bade me, if I had a friend that loved her, I should but teach him how to tell my story, And that would woo her. Upon this hint I spake; she loved me for the dangers I had passed, And I loved her that she did pity them. (Act 1, Scene 3, Line 161-167). This speech made by Othello, distinctly shows how he came to love Desdemona and she love him.
Othellos perception of Desdemona starts to change with Iagos interference. Iago warns him to not be jealous. O beware, my lord, of jealousy: it is the green-eyed monster which doth mock The meat it feeds on. (Act 3, Scene3, Line 167-169). Iago cunning advises Othello not to become jealous but at the same time he is telling Othello lies to suggest Desdemonas infidelity thus manipulating Othello. Othello begins to believe in Iago and does not trust himself to believe that Desdemona is in fact pure and virtuous. Othellos ttitude and behaviours become worse as Iago feed him more and more lies.
He becomes distrusting of Desdemona and treats her poorly. Iago gradually pushes Othello to the point of no return. He has basically total control of Othello and Iago slyly prods Othello towards murdering Desdemona. Ay, let her rot and perish, and be damned tonight, for she shall not live. No, my heart is turned to stone: I strike it and it hurts my hand. O, the world hath not a sweeter creature! She might lie by an emperors side and command his tasks. (Act 4, Scene 1, Line 172-175). Here Othello explains what he must do with Iago ncouraging him on.
He has changed from a man who is in control, who is intelligent in making decisions into someone who is violent, harsh and irrational. Iago has Othello right where he wants him. Othello believes everything Iago has told him and thinks Iago is a great man for helping him. Othello continues to believe that Desdemona is a whore right up until after Desdemonas death. After Desdemonas death, Othellos perceptions of Desdemona changes once more when it is revealed that it was Iago who placed such destructive thoughts into his mind. Iago was the mastermind behind all the conflicts.
Othello realises Desdemonas innocence. He cannot forgive himself for what he has done and so destroys his own life. I kissed thee ere I killed thee: no way but this, Killing myself, to die upon a kiss. (Act 5, Scene2, Line 354-355). Othello speaks his last words, as he dies. His death a sign of how much he was easily manipulated and deceived by a man whom he entrusted his life too. Iago is, indeed, the catalyst of Othellos changing perceptions, observations and views of his wife Desdemona. He was the cause of the deaths of many innocent men and women including Roderigo, Desdemona, Emilia and Othello.
Through deception and concealment of who and what kind of person he was, Iago manage to destroy Othello by changing his perceptions of Desdemona. Early on through Iagos own words I am not what I am (Act1, Scene1, Line66) it can be seen how Iago really is and how cunning he can be in deceiving people to get what he wants. Hence, his role in destroying Othello and Desdemona is quite a large role. If it hadnt been for Iago Othello would not have begun to become suspicious of Desdemona and their relationship would be as loving as ever before. Also people would not have died as a result.