Fitzgeralds dominant theme in The Great Gatsby focuses on the corruption of the American Dream. By analyzing high society during the1920s through the eyes of narrator Nick Carraway, the author reveals that the American Dream has transformed from a pure ideal of security into a convoluted scheme of materialistic power. In support of this message, Fitzgerald highlights the original aspects as well as the new aspects of the American Dream in his tragic story to illustrate that a once impervious dream is now lost forever to the American people. The foundation qualities of the American Dream depicted in The Great Gatsby are perseverance and hope.
The most glorified of these characteristics is that of success against is that of success against all odds. The ethic of hard work can be found in the life of young James Gatz, whose focus on becoming a great a man is carefully documented in his Hopalong Cassidy journal. When Mr. Gatz shows the tattered book to Nick, he declares, Jimmy was bound to get ahead. He always has some resolves like this or something. Do you notice what hes got about improving his mind? He was always great for that (Fitzgerald, pg 182). The journal portrays the continual struggle for self-improvement, which has defined the image of America as a land of opportunity.
By comparing the young James Gatz to the young Benjamin Franklin, Fitzgerald proves that the American Dream is indeed able to survive in the face of modern society. (Website) A society naturally breaks up in into various social groups over time. Members of lower statuses constantly suppose that their problems will be resolved if they gain enough wealth to reach the upper class. Many interpret the American dream as being this passage to high social status and once reaching that point, not having to concern about money at all. Though, the American Dream involves more than the social and economic standings of an individual.
The dream involves attaining a balance between the spiritual strength and the physical strength of an individual. (Lehan, pg. 53) Jay Gatsby fails to reach his ultimate dream of love for Daisy in that he chooses to pursue it by engaging in a lifestyle of high class. Gatsby realizes that life of the high-class demands wealth to become priority; wealth becomes his superficial goal overshadowing his quest for love. He establishes his necessity to acquire wealth, which allows him to be with Daisy. The social elite of Gatsbys time sacrifice morality in order to attain wealth.
Tom Buchanan, a man from an enormously wealthy family, seems to Nick to have lost all sense of being kind. (Lehan, pg. 60) Nick describes Toms physical attributes as a metaphor for his true character when remarking that Tom had a hard mouth and a supercilious mannerarrogant eyes has established dominance over his facealways leaning aggressively forwarda cruel bodyhis speaking voiceadded to the impression of fractiousness he conveyed (Lehan, p. 61) The product of hard work is the wistful Jay Gatsby, who epitomizes the purest characteristics of the American Dream: everlasting hope.
His burning desire to win Daisys love symbolizes the basis of the old dream: an ethereal goal and a never-ending search for the opportunity to reach that goal. Gatsby is first seen late at night, standing with his hands in his pockets and supposedly out to determine what share is his of our local heavens (Fitzgerald, pg25). Nick watches Gatsbys movements and comments: -He stretches out his arms toward the dark water in a curious way, and as far as I am from him I can swear he is trembling. Involuntarily I glance seaward-and distinguish nothing except a single green light, minute and far away, that might be the end of the dock.
Fitzgerald, pg. 25) Gatsbys goal gives him a purpose in life and sets him apart from the rest of the upper class. He is constantly striving to reach Daisy; from the moment he is seen reaching towards her house in East Egg to the final days of is life, patiently waiting outside Daisys house for hours when she has already decided to abandon her affair with him. Gatsby is distinguished as a man who retains some of the purest traits of the old dream, but loses them by attempting to reach his goals by wearing the dreams modern face.
Lehan, pg. 95) Fitzgerald attributes the depravity of the modern dream to wealth, privilege, and the void of humanity that those aspects create. (Website) Money is clearly identified as the central proponent of the dreams destruction; it becomes easily entangled with hope and success, inevitably replacing their places in the American Dream with materialism. This replacement is evident in Gatsbys use of illegal practices and underground connection to attain his enormous fortune.
His ostentatious parties, boundless mansion, and lavish clothing are all signs of his unknowing corruption. His ability to evade the law, demonstrated when his traffic violation is ignoring by a police officer, reveals his of status and privilege to get what he needs. Although Gatsbys rise to prominence is symbolic of the nature of the new dream, the most odious qualities of that dream are evident in Daisy and Tom Buchanan, who live their lives with no hopes and no regrets because the true foundation of their characters is their opulence.
While Daisy is never heard form again after Gatsbys rival responds: I told him the truthwhat if I did tell him? That fellow had it coming to him (Fitzgerald, pg. 187). Tom admits to the fact that he is responsible for Gatsbys murder and Wilsons suicide, but continues to claim innocence because he has never known quilt or shame as a member of the established elite. Through Nick, Fitzgerald pinpoints the effect of the modern dream on the upper class, thus condemning an entire people and its revered society:
It couldnt forgive him or like him but I saw what he had done was, to him, entirely justifiedthey were careless people, Tom and Daisy- they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made (Fitzgerald, pg. 187) Nick realizes that Tom and Daisy represent a class of heartless citizens who have attained success at the cost of dehumanization. Their vast wealth blocks out all inspiration and all true emotion, resulting in a void of apathy buttressed by status and power.
Lehan. pg. 108) At the end of the novel, Fitzgerald creates a sense of utter hopelessness to prove that the purity of the American Dream is dead with the examples of Daisys baby, Gatsbys death and Wilsons suicide. The first hint of this tragic loss is the introduction of the Buchanans daughter, whom Daisy refers to as Blessed Precious When the girl is brought into the Buchanans salon, Nick observes an obvious disturbance in Gatsbys attitude, thinking Gatsby and I in turn lean down and take the small reluctant hand. Afterwards he keeps looking at the child with surprise.
I dont think he had ever really believed in its existence before (Fitzgerald, pg. 123). Daisy then calls her child an absolute little dream, crushing all hopes Gatsby has of truly recreating the past. Societys complete replacement of the American Dream with materialism is pointed out moments later, when Nick and Gatsby attempt to discern the charm in Daisys voice. At the moment Gatsby blurts out, Her voice is full of money, Nick stumbles across a revelation, which changes his view of society: That was it. Id never understood before.
It was full of money- that was the inexhaustible charm rose and fell in it, the jingle of it, the cymbals song of itHigh in a white palace the kings daughter, the golden girl (Fitzgerald) At this point, all of Daisys charm and beauty is stripped away, leaving nothing but money to be admired underneath. The dream Gatsby has been so inexorably pursuing is ripped apart into dollar bills as he discovers that for years he has been pursuing not love, but cold, hard, money, hidden behind the disguise of a human face. Subsequently, when Gatsby dies, any chance the American Dream has of surviving in the dehumanized modern world dies with him.
Nick later speculates on Gatsbys last thought before death, conjecturing, He must have looked up at an unfamiliar sky through frightening leaves and shivered as he found what a grotesque thing a rose is and how raw the sunlight was strengthening and uplifted Gatsby are shattered as he lies in the pool, dazed and confused in a world which he no longer understands. After shooting Gatsby, George Wilson, Fitzgeralds symbolization of the common man struggling to achieve his own success within the realm of the modern dream, commits suicide.
The deaths of a rich man and a poor man, both pushing themselves towards the same impossible goal, mirror the death of the original dream on which America was founded. At the end of the novel, Nick returns to the Midwest with this disconcerting knowledge, reflecting on Gatsbys life as the struggle of the American people in a society losing its humanity: (Magills Survey of American Literature, pg 689). So we beat on, boats against the current, borne back ceaselessly into the past (Fitzgerald, pg. 149). The dream is now utterly lost and can never be resurrected.
Through the unfolding events of a doomed romance, Fitzgerald simultaneously unfolds the tragic fate of American values. Gatsby possesses an extreme imbalance between the material and spiritual sides of himself. His ultimate goal of love swaps places with his secondary goal of becoming rich. He portrays the ultimate failure of the American Dream in that individuals tend to believe wealth is everything. Historically, America was the new world of endless opportunity and wealth. But a nation cannot operate solely on materialism.
The spirits of individuals are the true composition of a nation. Gatsby and the other characters of his story act as vessels for the authors true message- the American Dream, once a pure and mighty ideal has been buried and is pressed into the ground by the inhuman void of money. Nick Caraway conveys this message as an outsider, an honest man who is witnessing the entire ordeal as an observer. The Great Gatsby is not the tribute of a name named Jay Gatsby; rather, it is the tribute of an institution which once was, but is now gone and can never be.