As a prosperity, a kind of text between prose and poem is called. Prospericht is an artistically structured and rhythmically-sounded prose, which differs from lyric in that the final rhymes are missing and the speech is not bound by verses. A prosperity, however, is not only rhythmic, but also powerful, which is why it is heavily influenced by lyrical stylistic elements, such as assonances, internal rhymes, etc.
The essential difference between poetry in prose is that lyrical texts are written in bound speech, where prose is characterized by unbound speech. This means that prose is characterized above all by the fact that it is neither structured by rhymes, verses, or rhythm (metrum).
This division also works in many cases. There are, however, texts which are certainly intervening. These are described as rhythmic prose, prophesy, and free rhythms, with the prophesy forming a kind of link between the rhythmic prose and the free rhythms.
Difference: prose, rhythm. Prose, prosperity, free rhythms, lyric
Prose: Originally, the term meant any text that was not intended to be presented to listeners and thus had no poetic characteristics. Today these are all texts which can not be ascribed to lyric poetry. Consequently, in addition to the colloquial language, every other text should be classified as prose (cf. prose).
rhythmic prose: Means flow texts, ie, unbound speech, which is not deliberately segmented or segmented, that is, written in verse and yet show striking repetition figures. These can be, for example, alliterations and final rhymes, or syntactic parallelisms, as well as isolated metric building blocks (see also: example alliterations)
Prospericht: It is characterized by the fact that there is also no unambiguous association, and thus no stanza form, although very powerful, artful and rhythmic elements are used. In addition, renounces final rhymes (see Reimschema).
Free rhythms: Are free, metric unbound verses. In contrast to the previous forms, however, there is a clear verse form that can be divided into stanzas. However, since the verse groups do not appear regularly and are not characterized by a clear concept, one speaks rather of sections in this context.
Poetry: Does poetry mean in verse form, that is, in bound speech, whereby all kinds of games are conceivable. In addition to epics and drama, she is the third of the three literary genres. Texts belonging to this genre are, in principle, referred to as poems.
Note: Nevertheless, the described features are rather an approximate estimate. The boundaries between the forms are fluid and in some cases not clear. Above all, the difference between rhythmic prose and prosperity is particularly difficult and not always clear.
poème en prose and prospericht
The prosperity story originally came from the French-speaking world and was introduced as a poème en prose into the literary world. Gaspard de la nuit (1842) by Aloysius Bertrand is the first French proseptic. The book inspired many symbolic poets.
However, there were very important examples of the genre in the German Romantic period (Jean Paul, Novalis, Hoelderlin, Heine), although the distribution of the poem form can be traced back to Baudelaire ‘s experiments in a poetic, musical, lyric form without rhyme and rhythm under the title Petits poèmes en prose (1869) (→ Literaturepochen).
A characteristic feature of the success and growing popularity of professionalism is the notion that the literary genres are overlapping in many respects and can not be separated from one another. Thus the prosperity experienced a high-flying flight, above all in the Romantic era.
Brief overview: The meaning and characteristics of the poem form
The prosperity is a text-point, which is to be settled between prose and lyricism. It serves elements that are assigned to both areas. What is characteristic is that it is metric and rhythmic as well as image-strong, but is not subject to any definite verse form.
Nevertheless, it is sometimes difficult to clearly distinguish the prosperity from other forms. Above all, there is no essential or distinctive difference between rhythmic prose and prosperity.
The poem was born in the 19th century and thus in the course of Romanticism. What is important here is that the romantics felt that the literary genres were not to be clearly separated from each other, which made the ideal breeding ground for the development of the prosperity and also founded its success.
