The function of imagery in the mid-sixteenth century play Othello by William Shakespeare is to assist characterises and defines meaning in the play. The enemy Iago is defined through many different images, Some being the use of poison and soporifics, sleeping agents, to show his true evil and sadistic nature. Othellos character is also shaped by much imagery such as the animalistic, black and white, and horse images, which indicates his lustful, sexual nature. Characterisation of women is heavily dictated by imagery used to show the gender system of the time.
Some of this imagery is that of hobbyhorses and the like showing that they, Desdemona and Emelia, were nothing better than common whores. Othellos view at the start of the play is denying of these views with Desdemona and Othellos true love overcoming these stereotypes and we are told this through imagery of fair warriors and the like. The power of deceit is shown also through imagery of spiders and webs, uniforms and other such images. Also, the power of jealousy is well defined by imagery.
The handkerchief, green-eyed monster and cuckolding imagery are main in defining this theme. The cruel character of Iago is acted well through different types or imagery. His sadist intend is shown through imagery Ill pour pestilence into his(Othellos) ear says Iago in a soliloquy in as he is showing his evil intent and nature. This continues throughout the play with lines such as The Moor already changes with my poison and Not poppy nor mandragora, | Nor all the drowsy syrups of the world shall medicine thee to that sweet sleep | Which thou did owdest yesterday.
His evil character is likened to a snake through this imagery of poisons like a snake has and then Lodovico calls him a Viper which indicates how Iagos character is that of a snake, and in those times a snake was considered a creature of pure evil. Iago can also be seen through his use of reputation imagery to Cassio and Othello. To Cassio, he says Reputation is an idle and most false imposition and, to Othello, he says reputation is everything to a man and he is nothing with out it. Iago is also likened very much, though imagery, to the Devil.
I look down towards his feet-but thats a fable. | If thou best a devil, I cannot kill thee and he also is called a demi-devil and other terms. Othello is also strongly characterised by imagery too. Imagery pictures to us his animalistic nature that his cultural background suggests to the audience he has. Youll have your daughter covered with a Barbary horse, youll have your nephews neigh to you, youll have coursers for cousins and gennets for germans. This is suggesting that Othello is a an animal, namely a horse, which shows him to the level of more an animal than a man.
Another quote suggesting this is when Iago says An old black ram | Is tupping your(Brabantios) white ewe. This also is lowering Othello to the level of an animal. Othellos black skin too is defined by imagery like that of the quote above and others such as Run … to the sooty bosom | of such a thing as thou (I iii 69-70). Othellos black skin is reinforced so much that it becomes in total part of his character it cannot be ignored at any stage of the play. Othello is also shown as being evil and violent and a devil , because of his cultural background. You … acker devil is a line which reflects how his skin colour and supposed evilness go hand in hand.
Irony plays a major part in the meaning of craftiness in Othello. Throughout the play Othello is constantly referred to as a devil; Thou art a devil says Emelia of Othello. This is based around his black skin and being of non-Venetian descent which makes him an alien to his companions. Yet in the end it is proved that Iago is the actual Demi-devil whereas through the whole play Othello is made out to be a devil because of his skin colour and from this we can se how racial prejudices existed strongly in the mid sixteenth century.
Female characters in the play Othello are also set to a degree by images. Women are not treated with any great deal of respect throughout the play because of the society of the time and this shows through the imagery portrayed of women throughout the play. Prostitute imagery plays a heavy part in showing women through the play with women being called many terms such as Hobby-horse(s), Minx(s) and Minion(s). Desdemona, Emelia and Bianca are all termed some of these names throughout the play.
Through the neglect for the emotions and feelings of women by men in the play, we can see how it agreed with the views on women of its contemporary audience. The males treat women throughout the play as objects. This is evident through the death of all but one woman, Bianca. They die because of mens need to have them as a possession that they can control and if they cannot control them what use to them are they. Iago takes his revenge out on Emelia, his wife and property by killing her even as she speaks.
This imagery of the silence and what it represents is that women should be silent no matter what, because if the silence is not kept it may be the end as was the case for Emelia. The image that leads to the death of Desdemona is that of the strawberry embroidered handkerchief given, by Othello, to Desdemona. The handkerchief is a very important symbol of Love, lust, Desdemonas virginity and sexuality . As Iago stages for Cassio to be seen with it, it demonstrated to Othello that he has lost Desdemona, therefore for his honour she must not live.
The unique love and feelings shared between Othello and Desdemona is illustrated through such images as fairness, the act of kissing, and ocean and water imagery. At the start of act two Othello greets Desdemona as My fair warrior but then his views start to change, as when Iagos poison has started to take effect, Othello then refers to Desdemona as The fair devil which reflects his respect and honour he has for Desdemona . Another symbol for Othellos affection for Desdemona is that of freezing cold water.
Othello likens his heart towards Desdemona was Like … e Pontic Sea | Whose icy current and compulsive course | Nevr keeps retiring ebb. This quote show how Desdemona does not have Othellos favour because of the lies of Iago which have convinced Othello he has been lied to. But Othellos love for Desdemona is unchanging. This conclusion can be drawn from the kissing that occurs throughout the play. Even when Othello has taken the last breaths from Desdemonas lungs he kissed thee (Desdemona) ere and killed thee and to signify he will always love her he Die(s) upon a kiss.
This is ultimate irony that he would be kissing his love whose life he just taken. He did it though, not out of hate but so she would not Betray more men. The opinion of cheating and honesty are tested throughout the play through images of spiders and webs, uniforms and crests. Othello, Desdemona and Cassio all consider Iago a Fellow of exceeding honesty, | And knows all qualities, with a learned spirit and has excellent Honesty and love.
But really his real aim is to, When my outward action doth demonstrate | The native act and figure of my heart | In complement exturn, tis not long after | But I will wear my heart upon my sleeve | For the daws to peck at; I am not what I am.. Because of Iagos supposedly honest nature and Othellos credulity, he is able to put his Monstrous birth to the worlds light. The jealousy in all beings souls is evident throughout the play through various symbols and images of monsters, toads and the horns of the cuckold.
Jealousy is The green-eyed monster which doth mock | The meat it feeds on. ys Iago which stops Othello from ever having Sweet sleep again. This jealousy which, even though Othello says he does not believe, bothers Othello inside, and is present through lines such as that Othello would Rather be a toad | And live upon the vapour of a dungeon | Than keep a corner in the thing .. (he).. love(s). And the imagery of the horns of the cuckold is also an image of Othello Have(ing) a pain upon .. (his).. forehead, here . These are imaginary horns Othello thinks he is growing because of his concerns about Desdemonas honesty.
Othello is very afraid of as A horned mans a monster and a beast.. So we can see how important honour and faithfulness of his wife was to the contemporary man. Imagery, as we can see, is essential in the play Othello to definition of characters and to illustrate the main meanings of the play. Imagery functions as a main source of characters nature such as Iago, the sadistic, vicious enemy whose destructive powers controls the fates of other characters. Othello, the poor misguided Moor and our tragic hero who succumbs to the evil torments of a hurting friend.
Desdemona, who was loved by a misguided, noble Moor who ended up dead because of the hatred of one man. And Emelia, the poor wife of the evil Iago who shows his vicious nature. Imagery is also essential in understanding the issues of the play such as the jealousy in all men through the images of the green-eyed monster and the horns of the cuckold. Also the power of cheating in an evil mans hand is also shown well as the end scene is The tragic loading of this bed because of powerful imagery such as spiders and webs used by the manipulative Iago.