Things are heating up in America. People are protesting outside of the movie theaters, concerts, and book and record stores of this great nation everywhere. What is all the fuss about? Censorship, Government officials and raving mad protesters alike have been trying to stop the expressive creativity in everything from Marilyn Manson to Mark Twain. One of the biggest shake-ups happened in museums all over the world recently that would have made Michelangelo and DiVinchis hair stand on end.
In the Constitution of the United States, the First Amendment guarantees freedom of speech, religion, press, the right to assemble and to petition the government; the Ninth Amendment says, The enumeration in the Constitution, of certain rights, shall not be construed to deny or disparage others retained by the people. So it seems one cannot use any of the other rights to quell the rights of an individual or group. Then why is the government trying to censor literature, movies, music and art? All of the worlds modern society has become desensitized and easily trainable.
Therefore society has come to accept the ideals, morals, and values driven into the psyche by the dominant forces in the nation: the Government and the Church. By quieting the objective voice these two institutions stand in the lead and stay in control. One might assume that the blood-sucking politicians have nothing better to do than to look for things that offend any one major group of people (i. e. the church) to obtain votes. In this manner the government is becoming more and more controlling and artistic censorship is just another way to maintain control.
Things were not always so. Government had very little to say about censoring anything. Was it not only three decades ago that as one nation the population was united by the ideals of peace love, and harmony? As an art student in the 60s era, Robert Mansfield states in his article, Artistic Freedom: government challenge the first amendment was seldom an issue of concernIn fact it seemed that boundaries of expression were governed only by individual creative ability intellect and imagination. Where have these ideals gone?
It seems in recent years they have disappeared with the freedom of thought. Why is it so important to some people not to offend? It seems the people easily offended are the ones deciding what is acceptable for the population. Well about a decade ago when the nation debated about funding controversial art, writes John Cloud of TIME magazine, in the capital of crude, few people consider rude art a problem. Articles ranging in titles from New Yorks Art Attack to Creative Chaos are appearing in TIME and other numerous front-page materials across the country.
In H. G. Hovagimyans TOKARTOK: The Censorship of Art, he states: Artists are often asked to change parts of their works to conform to the publics morality. This has been going on since the Pope asked Michelangelo to paint fig leaves on Adam and Eve. Yes do not forget about the control the church has had on artistic expression since the beginning of time. When the church has something to say everyone listens. It is amusing how when something offends the church it quickly disappears. However, when these people see some bubble that looks like the face of the Virgin Mary in a tortilla chip, they start worshiping it.
Next comes a media circus and before lunch it is all over CNN and every other news broadcast in the world. It is obvious the government uses those situations to promote the Church and its ideals of acceptable art even if it is a tortilla chip. As the 1960s came to an end the meaning and importance of the first amendment became indisputable. The Democratic National Convention in Chicago, protesting against the Vietnam War and the political assassinations of the late 1960s (with the governments interjection and objection) showed that the so-called guaranteed right of freedom of expression was not so guaranteed anymore.
This point was proven again by the incident at Kent State University on May 4, 1970, where students rallying against the presidents decision to send troops into Cambodia without declaring war were arrested, beaten, bombed with tear gas, and ultimately shot at by a dozen men armed with M-1 rifles. A total of 67 shots were fired in 13 seconds. Is what it said in on the May 4th Task Force of Kent State University. Four of the students were killed and nine were wounded. The extent the government would go to in order to quell the objective voice was proven that day.
The government proves once again, in modern times, that they cannot be trustworthy of humanities unalterable rights by trying to censor artistic expression. In September 1999 an exhibit called SENSATION went on display at the Brooklyn Museum of Art. One of the artists, Chris Ofili, portrayed a black Madonna adorned with elephant dung and pictures of womens crotches from porn magazines. New York City Mayor, Rudolph Giuliani, said The idea of having so-called works of art in which people are throwing elephant dung at a picture of the Virgin Mary is sick.
What is sick is that the government seems to have the idea that it can make decisions for the nation. Had the Mayor decided to go to the exhibit the mayor would have found out Ofili includes elephant dung in all of the works not just the religious portraits. It would also come to pass to the mayor that elephant dung symbolizes regeneration to the African culture. The wonderful Mayor then threatened to cut the museums funding of about $7 million dollars (a third of the museum’s budget) unless SENSATION was cancelled. Now bad mouthing the exhibit is one thing, but to threaten to cut the funding is another story.
In an article that appeared in TIME Daily news: When a Mayor and the Constitution Collide, the article shows how the First amendment is just a notch in the mountains to government officials. What is important to the government is forcing their ideals of morality onto others. Monday Federal court judge ruled that the mayor trampled all over the first Amendment in his attempts to remove funding from the Brooklyn Museum of Art because of an exhibit he deemed offensive. Guiliani withheld $500,000 a month from the museum from October 1st 1999 until the court hearing which ruled against the mayor.
The dictator mayor Guiliani then suggests the board of the museum resign. Time arts writer Steven Madoff said, Theres no end to the gall that Guiliani has. The mayor tried to close down this museum for one single painting? A little harsh one would think. Mrs. Hillary Clinton in a public statement to the press defended the museum saying, Its not appropriate to penalize and punish an institution such as the Brooklyn Museum, She then added to her statement that she would not go to see this exhibit because she would find certain things offensive.
Everything Giuliani tried to do has backfired including the attempt to evict the museum from the city owned building. What right does any government official have to cut funding to a program in which there are so many artists work, time, and effort? Just on account of one person finding it to be offensive does not mean that everyone else will. What one person sees as tasteless may be tasteful to another. Remember that society does have the option to go and see the work or not to go to see the work. The all-powerful mayor never went to see the exhibit himself, but somehow found the time to criticize it.
In a Letter from the Brooklyn Museum of Art Director Arnold L. Lehman he comments on the way SENSATION is a refreshing and attracting part of this exhibit. He stated, SENSATION is a part of our plan to revitalize the very concept of how art whether traditional or the most challenging can speak to people in their own languageour museum must be central to the topical sociocultural issues, expressed through art, that drive our daily lives. Art means so many things to so many different people. So how can the government decide what the public wants to see?
It has more to do with what the government does not want the public to see. The government is afraid people will see new controversial art and think a thought or two and realize what a laughingstock life has been made due to the need for control. On the National Coalition Against Censorship web site in an article The Long and Short of It, the article reads: Mayor Giulianis reaction to the Sensation exhibit stimulated a satirical installation from artist Hans Haacke, now on display at the Whitney Museum of Art Biennial Exhibit in New York.
The provocative artwork, Sanitation, links the current culture wars to the banning of degenerate art in Munich in 1937. It displays the text of the First Amendment along with quotations in Nazi-style script from Patrick Buchanan, Pat Robertson, Jesse Helms and Mayor Giuliani and is surrounded by garbage cans blaring the sounds of marching troops. So far the controversy over Sanitation has not evoked a peep from Mayor Giuliani. The fact of the matter is that the mayor will not have anything to say he has already lost the battle.
Federal Court Judge Nina Gershon stated in the article When the Mayor and the Constitution Collide, There is no federal constitutional issue more grave than the effort by government officials to censor works of expression to abide by government demands for orthodoxy. Why should the nation have to harmonize to the morals of the government? The fact of the matter is the nation should not have to conform to the governments morality. The government, in this manner, has violated the god given right of choice in order to quell the voices of objectivity and maintain its all-powerful reign.
The Church has tried to extinguish the voices of artists for centuries. With the exhibit SENSATION the Church had petitions at 36 congregations all over Staten Island to close the museum, cut the funding, and for the board to resign. The petition read, To allow the display of a painting of an obvious desecration of a saint we Catholics hold so high in our reverence is unspeakable. ” It went on to say “if you and the board of directors see this as art and insist on displaying it, then we call for your resignation and the board members immediately.
Monsignor Peter G. Finn who organized the 36 parishes on Staten Island to post the petitions in their churches said in an interview that appeared in the Staten Island Advance, We dont want to fund a museum that attacks religion. Especially if on the walls of the institution has the names of Isaiah, Jeremiah, St. Peter and St. Paul carvedit is a mockery of the intent of the place. Now one must realize this is the Church demanding for a board of directors of one of the most highly regarded museums in the world to resign. Who do they think they are? God?
Performance artist Karen Finley, dramatized the plight of women by appearing on stage naked and covered with melted chocolate in 1990, was denied money because her performance helped spur debate over how the NEA hands out money. She and three other artists were excluded from NEA grants in 1990 because the NEA holds grants to a “general standard of decency. ” So said the article on CNNs web site Supreme Court studies federal funding of art- March 31, 1998. If the church is so offended then why is it that the Christian Coalition and the NEA fund hardcore pornography?
The NEA has admitted to this in the article Christian Coalitions stand on the Arts that appears on the Christian Coalition web site that reads: Over the years, the NEA has funded and continues to fund materials that are indeed hardcore pornography. Some examples include art that promotes lesbianism for 12 year old girls, brother/sister team rape of a younger sister, the sexual torture of a male prostitute, and such well-known examples as photos of a crucifix submerged in urine and a play depicting Christ as a homosexual.
So much for a general standard of decency. The play this refers to is Joseph and the Amazing Technicolor Dreamcoat which had a run on Broadway and a national touring company, but it was not posted all over the news and CNN. Thank God this society is not in 399 BC, when the philosopher Socrates was put to death for undermining the beliefs in the gods and corrupting the morals of the young. If it were new radical ideas and opinions about religion would carry with them an electric chair. Filmmaker Kevin Smith recently released his new film entitled DOGMA.
The movie is about a young woman who is Jesus Christs distant niece in modern times and has to save the world from two fallen angels who want to get back into heaven. In order to do so they would have to disobey God. Since God is infallible this would prove everything false including the existence of the world. Hence the end of the world and all creation gets sucked into a big black hole. The movie includes a black 13th apostle, and a woman plays God. The fanatical Church was offended by this movie.
The Catholic League, a lay group with 350,000 members and an intimidating letterhead, had pressured the Walt Disney Co. d its subsidiary Miramax Films to drop DOGMA. People protested outside movie theatres with signs that read: stop desecrating our god now. “Every week I go to church, says Kevin Smith in an article on TIME on the web and sooner or later the priest makes a joke! How come a priest can mix religion and jokes, but if I do it, I’m anti-Catholic? One should wonder if those same people protest outside of the theatres of the porn movies that their Catholic Coalition supports and funds. Well these people have more versions of their so-called concrete bible than china has egg rolls.
So it is no wonder they are confused. In an interview on Moviefone. m with Elizabeth Castelli the Professor of Religion, at Barnard College she states how the Bible is used for control purposes. She said the Bible is a fragmentary record that was written by various religious communitiestexts in the Bible were also written with the explicit goal of persuading their audiences into accepting a particular point of view. So the Bible has some mumbo-jumbo in it in order to maintain control over what people think, say, and do. The Church sticks beliefs to followers minds that have doubt. When one expresses that doubt the Church then tries to put down ones expression to support control.