Although there are lots of things to suggest this is a racist play I don’t think that racism actually dominates the play, even though it has a racist theme. There is a romantic union between black and white which gets destroyed because most people think the relationship is wrong. At the time the play was written, 1604, even the Queen of England was racist so there must have been a strong hatred of blacks around that time. Most racist comments in the play are said by people that are angry or upset.
For example, when Emilia found out that Othello had killed Desdemona she was extremely mad and she called Othello a Blacker devil”, this was the only time in the play that she had said anything racist about Othello. The main characters that have racist attitudes are Iago, Brabantio, Roderigo and Emilia, with the hatred of Othello as the basis for their racist actions and comments towards him. Iago is the most racist character in the book as he has it in for Othello right from the start. What sparks off Iago’s hate towards him is the fact that when Othello chose his lieutenant , it was Cassio who was chosen instead of Iago.
What made Iago angry was the fact that Cassio had no experience in war when he did and Cassio was chosen instead of him. Iago does not say anything racist to Othello’s face but he has a lot to say against him behind his back. He schemes to destroy Othello and anything in his way including Cassio and Desdemona. The first time we hear one of his racist comments is when he’s talking to Brabantio about Othello and Desdemona, “Even now, very now, an old black ram is tupping your white ewe”. Iago says this to try and turn Brabantio against Othello.
Iago uses racist comments all the way through the play, as he tries to turn people against Othello, for example calling him a “Barbary Horse”. He never says anything racist to Othello’s face because in his plot he ad to be his best friend, so as not to make him suspicious that Iago was causing all the trouble for him. Iago is jealous of Othello for many reasons, one being that Othello has higher ranking in the army than him, and also he has a good marriage with Desdemona which Iago does not have himself with Emilia.
These are the main causes of his hatred for Othello and the reason he adopts such a racist attitude. Roderigo is another one of the racist characters in the play, being so right from the start. He is Iago’s accomplice and will do anything that Iago wants him to. I think he does this because of the ay Iago can twist a situation to make it sound as if Roderigo would get something good from it but in the end he doesn’t. One of the racist names he calls Othello behind his back is “Thick-lips” . He hates Othello because he’s jealous of him as he also loves Desdemona but cannot have her.
I don’t think he views Othello in a very bad, racist way but uses the racism against Othello because he’s jealous of him. Neither Roderigo or Iago would say anything racist to Othello’s face as he is the general of the army. Brabantio is also a racist character, and is enraged when he finds out that his daughter, Desdemona, has been seeing “the moor” ehind his back. Brabantio is so mad he sends out his guards to catch Othello and put him in prison. Brabantio views Othello as a foul and dirty no good black, I think this racist view of his is because he’s angry when he finds out that his daughter has been seeing this “moor”.
Unlike Iago and Roderigo, Brabantio will openly make racist comments about Othello to his face such as, “lascivious moor”, “Wheeling stranger”. Brabantio can do this because he is the Senator of Venice and is higher in rank than Othello. The other character who is racist towards Othello is Emilia, the lady in waiting to Desdemona. Emilia is disgusted with Othello when she finds out that Othello had killed Desdemona this is the time she gets a chance to express her feelings about Othello, “O, the more angel she, and you the blacker devil!
Although this is the only time she says what she thinks of him, I think that she was racist towards Othello all through the play and did not approve of his relationship with Desdemona but just could not show it because she would get in trouble with her “lord”. Because Shakespeare wrote a play about a black and white union, which was later destroyed, I think it shows that he’s not racist. I hink he feels that the union between the two is right, but the relationship would never survive in a racist community at that time.
He portrayed the union between Othello and Desdemona as a good thing, and the people who destroyed it, mainly Iago and Roderigo as evil. This shows once again that he approves of a black and white relationship and therefore was not racist himself. Once before Shakespeare wrote a sonnet about his mistress which says, for example, “If snow be white, why then her breast be dun” He writes about his mistress being black when other poets of that time wrote about how their mistresses were white.
The other poets were the racist ones, they girlfriends were always white and perfect, Shakespeare wrote about how his mistresses is black and not very beautiful. Although the play has a strong racist theme against blacks I don’t think that the play is racist. Othello – Battle of Good vs. Evil- “I am not what I am. ” What is Iago? — as distinct from what he pretends to be — and what are his motives? In Shakespeare’s, Othello, the reader is presented the classic battle between the deceitful forces of evil and the innocence of good.
It are these forces of evil that ultimately lead to the breakdown of Othello, a noble venetian moor, well-known by the people of Venice as a honourable soldier and a worthy leader. Othello’s breakdown results in the muder of his wife Desdemona. Desdemona is representative of the good in nature. Good can be defined as forgiving, honest, innocent and unsuspecting. The evil contained within Othello is by no means magical or mythical yet is represented by the character Iago. Iago is cunning, untrustworthy, selfish, and plotting. He uses these traits to his advantage by slowly planning his own triumph while watching the demise of others. It is this that is Iago’s motivation.
The ultimate defeat of good by the wrath of evil. Not only is it in his own nature of evil that he suceeds but also in the weaknesses of the other characters. Iago uses the weaknesses of Othello, specifically jealousy and his devotion to things as they seem, to conquer his opposite in Desdemona. From the start of the play, Iago’s scheming ability is shown when he convinces Roderigo to tell about Othello and Desdemonda’s elopement to Desdemona’s father, Brabantio. Confidentally Iago continues his plot successfully, making fools of others, and himself being rewarded.
Except Roderigo, no one is aware of Iago’s plans. This is because Iago pretends to be an honest man loyal to his superiors. The fact that Othello himself views Iago as trustworthy and honest gives the evil within Iago a perfect unsuspecting victim for his schemes. The opportunity to get to Desdemona through Othello is one temptation that Iago cannot refuse. He creates the impression that Desdemona is having an affair with Cassio in order to stir the jealousy within Othello. It is this jealousy and the ignorance of Othello that lead to the downfall of Desdemona; the one truely good natured character in the play.
As the play opens we are immediately introduced to the ostility of Iago against Othello. Iago has been appointed the position of servant to Othello instead of the more prestigous position of lieutenant. Michael Cassio has been appointed this position. Iago feels betrayed because he considers him self more qualified than Cassio to serve as lieutenant. Iago then foreshadows his plans for Othello to Roderigo, “O, sir, content you. / I follow him to serve my turn upon him (Act I, Scene I)”. Iago already realizes that Othello thinks about him as an honest man.
Roderigo is used by Iago as an apprentence and someone to do his “dirty” work. Roderigo is naively nsuspecting. As the play shifts from Venice to Cyprus there is an interesting contrast. Venice, a respectful and honourable town is overshadowed by the war torn villages of Cyprus. It could be said that Venice represents good or specfically Desdemona and that Cyprus represents evil in Iago. Desdemona has been taken from her peacefullness and brought onto the grounds of evil. Iago commits his largest acts of deceit in Cyprus, fittingly considering the atmosphere.
Ironically, the venetians feel the Turks are their only enemy while in fact Iago is in hindsight the one man who destroys heir stable state. Act II Scene III shows Iago’s willing ability to manipulate characters in the play. Iago convinces Montano to inform Othello of Cassio’s weakness for alchohol hoping this would rouse disatisfaction by Othello. Iago when forced to tell the truth against another character does so very suspiciously. He pretends not to offend Cassio when telling Othello of the fight Cassio was involved in, but Iago secretly wants the worst to become of Cassio’s situation without seeming responsible.
Cassio is relieved of his duty as lieutenant. With Cassio no longer in the position of lieutenant, this ives Iago the opportunity to more effectively interact with and manipulate Othello. By controlling Othello, Iago would essentially control Desdemona. To reach Desdemona directly is unforseeable for Iago considering that Othello is superior to him. It is for this reason that Iago decides to exploit Othello. If Iago can turn Othello against his own wife he will have defeated his opposition.
Act III Scene III, is very important because it is the point in the play where Iago begins to establish his manipulation of Othello. Cassio feels that it is necessary to seek the help of Desdemona in order to regain is position of lieutenant and therefore meets with her to discuss this possibility. Iago and Othello enter the scene just after Cassio leaves, and Iago witfully trys to make it look like Cassio left because he does not want to be seen in the courtship of Desdemona.
Iago sarcastically remarks : Cassio, my lord? No, sure, I cannot think it That he would steal away so guilty-like, Seeing your coming. Act III, Scene III) When Desdemona leaves, Iago takes the opportunity to strengthen Othello’s views of honesty and trust towards him by saying ironically, “Men should be what they seem; / Or those that be not, would they ight seem none! ” (Act III, Scene III). This cleverness by Iago works upon one of the tragic flaws of Othello. Othello has a tendency to take eveything he sees and everything he is told at face value without questioning the circumstances. Iago wonders why someone would pretend to be something they are not, while in fact that is the exact thing he represents.
Finally, after hearing the exploits of Iago and witnessing the events surrounding Cassio, Othello for the first time is in conflict about what is the truth. This is the first stage of Iago’s scheme to control Othello. As Emilia becomes suspicious about Othello’s development of jealousy, Desdemona defends her husband by blaming herself for any harm done. This once again shows Desdemona’s compassion and willingness to sacrifice herself for her husband. Othello begins to show his difficulty in maintaining his composure : Well, my good lady.
O, hardness to dissemble — How do you, Desdemona? Act III, Scene IV) Act IV, Scene I is a continuation of the anxiety and indifference Othello is under going. Iago takes advantage of this by being blunt with Othello about his wife Desdemona. Iago suggests that she is having sexual relations with other men, possibly Cassio, and continues n as if nothing has happened. This suggestions put Othello into a state of such emotional turmoil that he is lost in a trance. Iago’s control over Othello is so strong now that he convinces him to consider getting rid of Desdemona and even suggests methods of killing her.
Iago, so proud of his accomplishments of underhandedness : Work on. My med’cine works! Thus credulous fools are caught, And many worthy and chaste dames even thus, All guiltless, meet reproach. (Act IV, Scene I) Othello in this state commits his first act of violence against Desdemona by hitting her. This as a result of Desdemona’s mention of Cassio. This shows now Othello’s other tragic flaw. He made himself susceptable to Iago and the jealousy within him begins to lead to the demise of others. By his actions Othello has isolated himself from everyone except Iago.
This gives Iago the perfect opportunity to complete his course of action. Iago does not tolerate any interference in his plans, and he first murders Roderigo before he can dispell the evil that Iago represents. Finally, Othello, so full of the lies told to him by Iago murders his wife. Desdemona, representative of goodness and heaven as a whole blames her death on herself and not Othello. Iago’s wife, Emilia, becomes the ultimate undoing of Iago. After revealing Iago’s plot to Othello, Iago kills her. This is yet another vicious act to show the true evil Iago represents.
Othello finally realizes after being fooled into murder : I look down towards his feet — but that’s a fable If that thou be’st a devil, I cannot kill thee. (Act V, Scene II) Iago says “I bleed, sir, but not killed”, this is the final statement by Iago himself that truely shows his belief in evil and that he truely thinks he is the devil. That is the destruction of all that is good. Hell over heaven and black over white. Iago, as a representation of evil, has one major motivational factor that leads him to lie, cheat, and commit crimes on other characters.
This motivation is the destruction of all that is good and the rise of evil. This contrast is represented between Iago and Desdemona. Desdemona is described frequently by other characters as “she is divine, the grace of heaven” (Act II, Scene I), while Iago in contrast is described as hellish after his plot is uncovered. Iago uses the other characters in the play to work specifically towards his goal. In this way, he can maintain his supposed unknowingness about he events going on and still work his scheming ways.
Iago’s schemes however at times seem to work unrealistically well which may or may not be a case of witchcraft or magic. Iago’s major mistake, ironically, is that he trusted his wife Emilia and found that she was not as trustworthy as he thought. Although not completely victorious at the conclusion of the play, Iago does successfully eliminate the one character representative of heaven, innocence, and honesty. Yet “remains the censure of this hellish villian” (Act V, Scene II). Finally, everything Iago pretended to be led to his demise : Honesty, Innocence, and Love.